| THE PITCH's Peter Houghton - Q&A | ||
Many HotHouse subscribers would know you already from the whimsical Ruby Moon in 2004. What have you been up to since then? Well, I did The Pitch at La Mama which has become something of a juggernaut since then. We took the show to Edinburgh and London |
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| THE PITCH - A Diary - by Peter Houghton | ||
In 2006 I wrote a solo play called The Pitch. It premiered at La Mama Theatre, and then played at Malthouse Theatre. We (my wife Anne Browning, also the director) decided after these initial successes to take the play to the Edinburgh Fringe Festival. |
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| NEW ONLINE BOOKING SYSTEM - How To Subscribe | ||
From February 14 you can now buy tickets and subscribe online from this website. No need for waiting on hold or in a queue. It’s easy! |
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| HotHouse Theatre releases 2007 Annual Report | ||
In an initiative to help the environment, HotHouse Theatre has decided to go digital! From 2006 HotHouse Theatre will make available the Annual Report online to help cut down excess paper usage and help the environment. To access your copy go to ABOUT |
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| Trainees needed to make BITING DOG run! | ||
Young people will take over The Hume Building Society Butter Factory Theatre Wodonga in June this year for the eleventh annual Biting Dog Theatre Festival. An exciting event that just keeps on getting better, the festival challenges young artists from |
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| HotHouse Launches Into A Great 2008! | ||
HotHouse Theatre has a fabulous 2008 season in store which will be launched with suitable pomp and fanfare on Wednesday February 13. After that date the details will be readily available on this website, in the press, and our gorgeous new 2008 Subscription Season brochure will be available everywhere around town. |
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| HotHouse Artistic Manager Receives Queensland Premier’s Literary Award | ||
Albury Wodonga is now home to one of Australia’s leading playwrights. HotHouse Theatre’s new Artistic Manager Campion Decent, who moved from Sydney to take up the position, has been busy getting on planes ever since to receive accolades for his other love, playwriting. |
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| A Month in the Country: whatever it is, it works. | ||
Earlier this year, Margot Fenley, Jane Bayly and I spent two weeks in HotHouse Theatre’s Month in the Country house dismantling, examining, questioning, exploring and, in the end, completely rethinking our performance project, Fugue for an Unreliable Companion. |
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