Are you our next General Manager?

We are seeking a dynamic business professional, with general management, financial and advocacy skills, to play a key leadership role in our awesomely creative theatre company.

The General Manager plays a leading advocacy role within our regional community, with government, at a political level and with corporate and philanthropic partners. They are responsible for managing the financial health of HotHouse Theatre and providing vision, leadership and entrepreneurial ideas that will help fuel our future.

If you have entrepreneurial flair, strong management, financial and business skills and a big love for the arts, this could be your dream job. Email info@hothousetheatre.com.au for a position description, or call Artistic Director Lyn Wallis for a chat on 02 6021 7433.

Read more here

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It’s only Hacting

Month in the Country Submissions Now Open for 2017

A Month in the Country (MITC) is a regional residency program supporting the development of new Australian work. It provides a rare opportunity for performance-makers to reflect and create in the quiet atmosphere of our Splitters Creek farmhouse. Submissions are now being accepted for residency requests for the period 1 February to 30 June 2017.  Submissions for the second half of the year will be called for in February.

MITC is a HotHouse Theatre and AlburyCity program, run in association with Murray Arts. Since its inception more than a decade ago it has hosted groups, artists and companies including  Flying Fruit Fly Circus; Lano and Woodley; Lally Katz; PACT Theatre and Damien Callinan. This years resident artists have included Colin Kinchela, Jody Mundy Collaborations, Alyson Evans and Rachel Small with projects ranging from Indigenous science fiction to a project to engage children and families in arts activities that explore place, identity, and belonging

Submissions for the first half of the year will close 28 November 2016.

Read more about Month in the Country.

Information and guidelines:
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At the Hip – the perfect pre-Christmas get-together (Let us look after your function at the Butter Factory Theatre)

At the Hip is a show about the BIG Dreams of Albury-Wodonga – so whether you’ve been here all your life or just arrived – there’s something in it for you.  Share the experience with colleagues for  work/team-building, or a special family or friends group outing. It’s perfect too for a pre-Christmas get-together, so get a group together and enjoy a night out at HotHouse Theatre’s historic Butter Factory Theatre.

  • Book now for 5 or more guests and save up to 35% (regular single ticket prices: $49 full, $43 concession).
    5 tickets or more $36 per ticket  |  10 tickets or more $31 per ticket
  • Book our Studio function room for your exclusive work or personal gathering. In partnership with La Maison Café, we offer scrumptious, value-for-money food and beverage options.
  • Fundraise with our tickets! We offer ticket re-selling options for charities and community groups.
  • Meet our talented Studio Ensemble members and the director, Lyn Wallis at the post-show meet the artists sessions after the performance on Friday 11 & 18 November.

ABOUT THE SHOW
In the years before his dramatic dismissal in 1975, Gough Whitlam had a dream for Albury-Wodonga. He envisioned a national growth centre to rival Canberra, with a booming population of 300,000.

In 2016, our HotHouse Studio Ensemble unearth the legacy of this grand, abandoned vision, by digging into the past, interrogating the present and imagining the future. After months of interviewing dozens of locals they are ready to report back.

At the Hip is a celebration of Albury-Wodonga, and the hopes and dreams of its people. Using Roslyn Oades’ ground-breaking audio techniques, our Studio Ensemble actors channel the real-life voices of local residents: born and bred, young and old, and newly arrived.

At The Hip tells the story of how Albury-Wodonga became the twin cities they are today, through the fly-on-the-wall reminiscences of those who witnessed it.  The words of well-known locals such as Dr Bruce Pennay, John Alker-Jones and Jean Whitla take us back to where it all began.  What do our young people, and elderly citizens dream about in 2017?  Our talented Studio Ensemble recreate the extraordinary voices and experiences of ordinary locals aged between 16 and ninety. Plus, there’s a few toe-tapping tunes to sing along to.

Yes Albury-Wodonga, it’s time to hear your stories, and sing your songs!

And perfect for your Christmas function.

STUDIO FUNCTION ROOM

Our Butter Factory Theatre is an unique and charming venue and we have a cosy function room that can be yours for the night! We offer flexible food/drink/entertainment options in partnership with the fabulous La Maison Café for groups of up to 100 guests.

Patrons enjoy the Galah Bar at the Butter Factory Theatre

The Studio set up for Galah Bar

 

 

 

 

 

 

 

 

 

 

 


FUNDRAISING

Looking for a fun way to raise money for your charity or social group? We offer fundraising ticket packs (20 tickets plus). Buy a ticket pack at our extra special fundraising rate ($27.50ea), and re-sell to your friends and fundraising stakeholders for a profit. Then enjoy an awesome night out together!

MEET THE ARTISTS

Make a group booking for the evening performances of Friday 11 and 18 November and stay for our Meet the Artists talk with the Studio Ensemble and Director, Lyn Wallis.

SHOW TIME!

At the Hip, 3 – 19 November
8pm, Thursday 3, 10 & 17 November

8pm, Friday 4, 11 & 18 November

8pm, Saturday 5, 12 & 19 November

3pm, Saturday 12 & 19 November

GROUP BOOKINGS CONTACT

If you have any questions about group bookings, functions or fundraising options, call Beck Palmer or Sam Terry on 02 6021 7433 or info@hothousetheatre.com.au

Image credits: Rhys Llewelyn

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HotHouse Theatre Wins International Gender Equity Award

HotHouse Theatre has been named as a recipient of a 2015-16 50/50 Award in recognition of gender equity in its season programming.

The award, now in its fifth year, recognises theatres that produced female playwrights in at least 50 percent of their previous season.

Artistic Director, Lyn Wallis said HotHouse Theatre was enormously proud to be a recipient of the award.

‘Gender equity for women playwrights has long been identified as a major issue for the Australian theatre industry,’ Lyn said.

‘HotHouse has a long history of supporting women in creative leadership, and is proud to have programmed in 2015-16 the fabulous work of Mary Rachel Brown, Justine Campbell and Sarah Hamilton (pictured), Sarah Kriegler, Julia-Rose Lewis, Emily Goddard, and Kamarra Bell-Wykes, Vivienne Walsh and Jo Lancaster,’ she said.

The HotHouse Studio Ensemble is also working with playwright, Roslyn Oades on its 2016 show about the big dreams of Albury-Wodonga, At the Hip which runs from 3 – 19 November at The Butter Factory Theatre.

One hundred and seven theatres in 10 countries and five continents have received the award this year breaking all records since the award was introduced.

The list includes theatres in Australia, Canada, England, Italy, Kenya, the Philippines, Scotland, Singapore, Switzerland, and the United States with almost 32% of the theatres being repeat recipients, demonstrating gender parity in two or more seasons. Recipients range from community and college theatres to internationally renowned theatres.

Watch the award winners as they celebrate their achievement including HotHouse’s General Manager, Tahni Froudist and Artistic Director, Lyn Wallis (5:16)

 

Eclectic mix gives judges tough task for judging SOLO Monologue competition

Twelve shortlisted monologues – intriguing, disturbing, amusing but ultimately entertaining – were staged at the SOLO Monologue Competition Performance last Thursday night at the Butter Factory Theatre.

The three entries that shone for the judges and won the $500 prizemoney, generously donated by La Trobe University Albury Wodonga campus in each category, were:

High School – Jesslyn Santosa, Grace and the Melancholy; Unpublished – Mark Dessaix, No Title and Published – Maura Pierlot (pictured above), Tapping Out.

Judges Paul Brosche, Margie Gleeson and Tahni Froudist  said they were pleased with the range of monologues that were on this year’s shortlist and that the shortlist was an example of how monologues should be written with theatricality and performance in mind.

They added that after three years of the competition it was great to see so many people participating, and the writing growing. The judges congratulated all of the winners and the entire shortlist on making their job a difficult one.

The competition is run by HotHouse Theatre and sponsored by La Trobe University Albury-Wodonga campus as part of the Write Around the Murray Festival.

Performances of the monologues were by members of the HSC/VCE Drama Class, HotHouse Studio Ensemble, Black Border Ensemble and The Other Theatre Company.

More than 200 entries from around the world were received for this year’s competition, with the shortlisted playwrights receiving dramaturgical advice from Mary Rachel Brown, writer of The Dapto Chaser which opened the 2016 HotHouse season.

The Orchid and The Crow Season Postponed

Unfortunately next week’s season of The Orchid and The Crow has had to be postponed due to a family emergency. Our thoughts are with the creative team during this difficult time.

All ticket holders have been sent an email regarding the situation, and our team will be contacting everyone over the phone to work through your options.

We are working closely with the producer to confirm new dates for the season later in the year. We apologise for any inconvenience this may cause and ask for your patience as we work through the list of patrons to contact.

We thank our wonderful HotHouse patrons old and new for their understanding.

We will still be supporting Sunshine Week  and the new Albury Wodonga Regional Cancer Centre by taking donations at our other September events – SOLO Monologue Performances – 7.30pm, Thursday 8 September; Galah Bar #4 – 6.30pm Friday 23 September and at the Gateway Village Open Day on Saturday, 24 September from 9am – 12 noon.

About the show

This life affirming musical comedy about family, faith and survival tells the story of Daniel Tobias who grew up in a Jewish-atheist household has won a swag of awards including the following 2015 awards: Outstanding Solo Performance – Ottawa Fringe; Outstanding Individual Performance – London Free Press; Theatre Weekly Award – Adelaide Fringe and Cabaret Writing – Green Room Award.

In 2004 Daniel found out he had stage-four testicular cancer and went searching for God. Any God. Enter Lance Armstrong, seven-times winner of the Tour de France and legendary cancer survivor.

Reflecting on Daniel’s real life experiences The Orchid and the Crow is a solo performance: part story-telling, part cabaret, part theatre, featuring original songs from the award-winning writers of Die Roten Punkte. Segueing between rock, pop, and contemporary opera, Daniel effortlessly draws the audience into the inspiring tale of his almost-death experience.

Daniel Tobias is a hugely talented and respected performer and actor, most noted in Australia for creating the ever child-like Otto in the highly successful and critically acclaimed Die Roten Punkte. Since 2006, Clare Bartholomew and Daniel, a Salvador Dinosaur have produced four award-winning Die Rotem Punkte live shows, with corresponding albums, that have toured to the USA, UK, New Zealn, Ireland, Belgium, Hungary, Poland, Canada and Germany.

The show was created and performed by Daniel Tobias; directed by Christian Leavesley; dramaturgy by Casey Bennetto; script consultant David Quirk; songs by Daniel Tobias and Clare Bartholomew with John Thorn, Casey Bennetto and Jherek Bischoff. It was developed with the assistance of the Australia Council for the Arts, Creative Victoria and the Besen Family Foundation.

Book your tickets here or phone 02 6021 7433.

See what else is on during Sunshine Week

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Holiday Drama Workshop Sep 26-28!

5. Solo

Dark and Light in Shortlist for SOLO Monologue Competition

HotHouse Theatre, La Trobe University and the Write Around the Murray festival are thrilled to announce the shortlist for SOLO Monologue competition.

More than 200 entries – the highest number received so far for the competition – came from all states and territories in Australia, South Africa, the UK and the US.

Judges said the monologues covered a range of subjects from serious to humourous.

Shortlisted entrants receive dramaturgical advice from award-winning playwright, Mary Rachel Brown. Between now and the performance of the monologues on Thursday 8 September, shortlisted writers can rewrite or fine tune their entries.

The competition carries a $500 prize for the winner of each of the three categories – unpublished/unperformed monologues; published/performed and monologues written by high school students.

Shortlisted

High School: Jesslyn Santosa – Grace and the Melancholy; Rebecca Chami – Bananas; Brynnie Rafe – Girl on a Bus; Emily Stewart – A Character in Search of a Society.
Unpublished: Rod Mackay – Happy Hundred; Bruce Clark – Days of Death and Crawfords; Imogen McCluskey – Cissy in Charge; Mark Dessaix – No Title.
Published: Ben Walter – It’s All Happening Here; Carmel Lillis – Dumb Sums; Glen R Johns – Perfecting the Art of Flirting; Maura Pierlot – Tapping Out.  

Highly Commended
High School: Kate Moyle – Romeo and Juliet; Mathilda Humphries – Some Things Are to be Said.
Unpublished: Nick Corbett – Suffocation.
Published: Brendan Hogan – A Slow Death; Kate Rotherham – Hashtag; Michael Lill – The Same Page.

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New HotHouse Drama School teacher looks to nurture young talent

Newly appointed HotHouse Drama School secondary drama class Teaching Artist, Felicity Cartwright, says she can’t wait to begin working with the dedicated and passionate bunch of students.

‘HotHouse Theatre has such a wonderful reputation and I am so honoured to be joining the team in the role. HotHouse is adept at supporting new writers and theatre productions, and I too wish to nurture the young talents and minds of tomorrow’s leaders both within the arts and beyond,’ she said.

Felicity’s background is both in performance and as an educator. She first studied Music Theatre at Arts Academy Ballarat, then a Diploma of Secondary teaching at Melbourne University.

‘After this I continued my acting training at East 15 acting School in the UK. Upon graduating I joined the Whitehorse Theatre Company where I performed in three English speaking plays on tour in Germany for one year. Upon my return to Melbourne I  performed in cabaret, opera and appeared in Offspring, House Husbands and a number of television commercials.

‘Over the past eight years I have been working at Haileybury in Brighton where I taught drama to students aged prep to Year 11 and directed them in many varied school productions,’ she said.

Felicity said this term the class will be using a range of stimulus to explore the world around them, all the while learning more about each other and how empathy is essential for any great actor.

‘My passion is drama, and especially working with young people in the drama classroom. I enjoy the challenge of harnessing the many varied and creative ideas that they produce, and using them to create fun learning and develop their creative skills in a dynamic and focussed atmosphere.

‘I find young people’s energy and enthusiasm to be contagious, and this fuels an entire class and creates exciting possibilities to explore and create.

Felicity said she gets so much from the drama teaching process too.

HotHouse Drama School classes for Term 3 begin next week. There is an Early Bird offer of $20 off term fees until Friday 15 July.

More information and enrolment details.